<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress/2.0.4" -->
<rss version="2.0" 
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	>

<channel>
	<title>Radio Snack Radio Creative Services</title>
	<link>http://www.myradiosnack.com</link>
	<description>Radio Advertising | Radio Commercial Production | Radio Ad Production | Voice Recording | Voice Over Talents Philippines | Copywriting</description>
	<pubDate>Mon, 04 Feb 2008 19:08:42 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.0.4</generator>
	<language>en</language>
			<item>
		<title>A Step By Step Guide To Radio Commercial Production</title>
		<link>http://www.myradiosnack.com/radio-commercial-production/a-step-by-step-guide-to-radio-commercial-production-2/</link>
		<comments>http://www.myradiosnack.com/radio-commercial-production/a-step-by-step-guide-to-radio-commercial-production-2/#comments</comments>
		<pubDate>Tue, 18 Dec 2007 19:44:23 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Radio Commercial Production</dc:subject><dc:subject>radio commercial production</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/radio-commercial-production/a-step-by-step-guide-to-radio-commercial-production-2/</guid>
		<description><![CDATA[A Step By Step Guide To Radio Commercial Production
By Roy Sencio
Radio Commercial Production is fun and easy&#8230; well maybe because I like it so much it comes off as more of a hobby than something serious like a job.
I have been producing radio ads and doing voice overs since 1993, that would sum up to [...]]]></description>
			<content:encoded><![CDATA[<p><strong>A Step By Step Guide To Radio Commercial Production</strong><br />
By Roy Sencio</p>
<p><span style="font-weight: bold">Radio Commercial Production</span> is fun and easy&#8230; well maybe because I like it so much it comes off as more of a hobby than something serious like a job.</p>
<p>I have been producing radio ads and doing voice overs since 1993, that would sum up to almost 15 years&#8230;. wow, has it been that long?</p>
<p>These are the steps I usually take in producing radio commercials for our clients, granting this is the entire creative process. Sometimes clients already have copy that they would like us to simply produce, but the truth is most clients are not copywriters, so it would be best for us professionals in the field to be proactive about the process and really start from scratch.</p>
<p><strong>Step 1    -    Research &#038; Analysis</strong></p>
<p>You cannot possible sell a product if you know nothing about it, it&#8217;s competition, target market, its strengths and weaknesses, etc. You have to know the product inside out. I know it sounds a little complicated but the thing is, radio commercial production is not simply about writing copy, recording and sending the finished material to the radio station. There is a lot more to it than that.First of all, you have to write copy that works, copy that catches a listener&#8217;s attention and keeps that attention long enough for your radio commercial to deliver the pitch and the call to action.</p>
<p>If there is available information or data on past radio campaigns and radio commercials, it would be best to study them. The thing about advertising and marketing is, it actually is easy, contrary to what most people think. It is just a matter of making informed decisions based on facts, and constantly tweaking to find out which chances yield better results. When you make decisions out of assumptions or notions without hard fact to back your actions, then you are flying blind and wasting your advertising budget.</p>
<p><strong>Step 2    -     Copywriting</strong></p>
<p>With all the information you have gathered, studied, and  analyzed&#8230; you may have now a couple of conclusions. You can now prepare a project or mission statement and declare, you want to put together a radio commercial that is this and that, because this works based on past data, or your customers react favorably to this kind of commercial, etc. Always present a basis for your proposal, the rationale behind the copy.</p>
<p>Prepare two different pitches and two different offers, to alternate and identify which one works best. To do this, it would be best to also present two different contact methods in order to evaluate results. For example for one offer or call to action, 1800 number A is used, and for the other offer, 1800 number B is used. That way, you can measure which offer appeals more to your audience, based on the number of call ins for each number. Split test&#8230; marketing is constant testing to find which brings in better results.</p>
<p>Some clients rarely practice this, but it is best to do small tests on copy before going all out on a campaign. It is important to split test copy, offers, etc. Only then will you know if your copy can sell. Once you know which works well, develop and plan out the strategy. This testing is however done at a later stage, I just had to mention it now since we were talking about the copy.</p>
<p><strong>Step 3    -    Production</strong></p>
<p>This is the part where you find the right voice actors for the parts on the copy or for the narrative. This is also when someone puts your radio commercial together, combining elements such as voice, background, effects, etc.</p>
<p><strong>Step 4    -    Testing</strong></p>
<p>I like to refer to this portion as the mini campaign, a test period where you allocate a certain amount of money to test the effectiveness of your offer. This may not have anything to do with you if you were just a radio commercial producer or supplier, but you have to think like an agency who wants to ensure that the finished product you are giving to a client is something that will really benefit them. The trick is to let your mini campaign run and very specific times of the day for an identified number of days and with a predetermined success metric. You just simply want to find out which turned out better results, A or B, and then finalize.</p>
<p><strong>Step 5    -    Finalizing material</strong></p>
<p>The results of your test will show which copy performs better and which didn&#8217;t. Prepare a final material that is based on the copy that performed. This is what you shall submit to your client as the final material.</p>
<p>Of course, those were just broad strokes of an otherwise long process, however I hope you got the idea and now have a guide in radio commercial production for advertisement that do work.
</p>
<a href="http://www.myradiosnack.com/tag/radio-commercial-production/" rel="tag">radio commercial production</a>]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/radio-commercial-production/a-step-by-step-guide-to-radio-commercial-production-2/feed/</wfw:commentRSS>
		</item>
		<item>
		<title>Custom Made Jingles, Commercials and Music for Television and Radio</title>
		<link>http://www.myradiosnack.com/radio-commercial-production/custom-made-jingles-commercials-and-music-for-television-and-radio/</link>
		<comments>http://www.myradiosnack.com/radio-commercial-production/custom-made-jingles-commercials-and-music-for-television-and-radio/#comments</comments>
		<pubDate>Fri, 30 Nov 2007 08:58:17 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Radio Commercial Production</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/radio-commercial-production/custom-made-jingles-commercials-and-music-for-television-and-radio-27/</guid>
		<description><![CDATA[Custom Made Jingles, Commercials and Music for Television and Radio
By Tom Gauger
Looking for the right sound and company to produce that sound can be somewhat tricky, especially if this is your first run with TV or radio. While there are a number of things to look out for in terms of getting the best price [...]]]></description>
			<content:encoded><![CDATA[<p><strong><font class="art_title">Custom Made Jingles, Commercials and Music for Television and Radio</font></strong><br />
<font class="copyright">By <a href="http://ezinearticles.com/?expert=Tom_Gauger">Tom Gauger</a></font></p>
<div id="body">Looking for the right sound and company to produce that sound can be somewhat tricky, especially if this is your first run with TV or radio. While there are a number of things to look out for in terms of getting the best price with a great sounding commercial, don’t let the cheap price or the “We can just put in some “free” industrial music in the background,” take the lead.</p>
<p>The fact is, that great sounding commercials and effective commercials that really do in fact raise the bar with increased sales, are no stranger to great production work with seasoned and experienced writers. Our number one goal is to make great sounding commercials and jingles even if it costs us more in the end than originally anticipated. You don’t build business on half baked productions and you won’t build your business with cheaply made or in-house radio and cable made commercials. Saving a dollar almost always costs you the same dollars if not more without the increased traffic to your store front.</p>
<p>The number one rule when looking at broadcast media is credibility. Without the credibility you might as well throw in the towel. People like to shop and buy from companies with good reputations and they buy from who they’ve gotten to know first. Over 90% of consumers buy from who comes to their mind first. The next rule to follow is, consumers buy from who they’ve heard of first, but also with who they trust – In other words, who has driven home the credibility attribute.</p>
<p>Does your commercial drive home credibility? You can create credibility with credible sounding commercials. Image is everything they say and hopefully the way you do business will accommodate that image. Great sounding music with professional voice overs make the difference so much of the time that I wonder why companies will advertise on radio and TV when they throw together a cheaply made and viewed to be as cheap commercial.</p>
<p>Great sounding jingles and productions don’t have to cost an arm and a leg. If you remember nothing else from reading this article, remember that if you want increased sales with an image that looks like number one and with a rememberable jingle that will truly put your company first in the minds of your listeners, then get your commercial done right. Get great music with great voice over and music beds and you’ll be well on your way.</div>
<div class="sig" id="sig">Mr Gauger is an accomplished TV and radio writer with too many credits to list here.  You may contact the author at <a id="link_80" href="mailto:tgauger@reelmusicianpro.com">tgauger@reelmusicianpro.com</a> or 615-300-5030.  You may visit the author&#8217;s website at <a target="_new" id="link_81" href="http://www.reelmusicianpro.com/">http://www.reelmusicianpro.com</a>  This author works with small business to national brand names.</p>
<div>Article Source: <a id="link_82" href="http://ezinearticles.com/?expert=Tom_Gauger">http://EzineArticles.com/?expert=Tom_Gauger</a></div>
</div>
No Tags]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/radio-commercial-production/custom-made-jingles-commercials-and-music-for-television-and-radio/feed/</wfw:commentRSS>
		</item>
		<item>
		<title>Voice Recording Today</title>
		<link>http://www.myradiosnack.com/voice-recording/voice-recording-today/</link>
		<comments>http://www.myradiosnack.com/voice-recording/voice-recording-today/#comments</comments>
		<pubDate>Tue, 27 Nov 2007 09:26:08 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Voice Recording</dc:subject><dc:subject>voice recording</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/voice-recording/voice-recording-today-29/</guid>
		<description><![CDATA[Voice recording and its applications have immensely grown with many people today recording their voices for commercials, narratives, audio visual presentations, business presentation and even home movies.
Recording your voice has gotten easier and simpler, especially with the availability of tools and technology that allows an ordinary user to record voice.
In the old days recording voice [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Voice recording</strong> and its applications have immensely grown with many people today recording their voices for commercials, narratives, audio visual presentations, business presentation and even home movies.</p>
<p>Recording your voice has gotten easier and simpler, especially with the availability of tools and technology that allows an ordinary user to record voice.</p>
<p>In the old days recording voice was done on a recording device or apparatus, this was the machine that would capture the sound, of course you needed a microphone for that. The sound was usually captured on a tape recorded, open reel tape machine and even beta.</p>
<p>These days sound can be captured and stored directly into your computer as data, for quick integration into digital movies, presentations or whatever applications needed.</p>
<p>Many people also include voice on their websites; majority of these are online marketers selling products on a sales page. Now, knowing how sales pages are, they could get quite lengthy and tiring to read, so some marketers provide their visitors with the option to simply click a button and play an mp3 or wav file that is a voice narrative of the content on the sales page.</p>
<p>I have not yet done that on a sales page, but I have included audio on some of my sites and some of my blogs. The statistics show, that audio used properly on a website or sales page, increases conversions. The only other reasons why I record my voice is for radio commercial and voice over jobs, a hobby I have been into since 1993.</p>
<p>Since it is now easy to get the equipment and software needed, many people create their own small voice over studios in their own home, mine is even inside my bedroom. To ensure that no other sound is captured, the room has to be sound proofed and properly insulated.</p>
<p>If you are planning to record voice, for whatever reasons there be, here are the thing that you would need.</p>
<p>1. A Microphone</p>
<p>When you are first getting started I would not suggest getting an expensive microphone. You can just get a cheap computer microphone and work with that; it would be good enough for recordings that are going to be uploaded into your server.</p>
<p>Eventually if you become more discerning about your sound, you might consider investing in a real microphone, however othing expensive. Some microphones may require a mixer and some don&#8217;t . I used to record straight into my computer with just an ordinary Electro Voice 635, cabled into the audio port. But that was years ago, since I produce a lot of radio commercials that need to be of good recording quality, I had invested in a more expensive microphone, a tube pre amp for the mic, a good sound card, and a compressor / sustainer device. You don&#8217;t really need to get all that, unless you make some serious money from voice recording.</p>
<p>2. A Computer</p>
<p>Most of the modern PC&#8217;s are powerful and fast enough to handle audio editing applications; if your PC is not up to date a Pentium 3 running o 256 RAM would be sufficient for simple voice recording and editing tasks.</p>
<p>3. Audio Editing Software</p>
<p>There is a lot of audio editing software in the market, some are simple recording applications which allow you to record your voice, play it back, do some cut and paste, and maybe apply some special effects to your voice like reverb or echo.</p>
<p>However there are also some software which are professional grade and are actually entire virtual studios that can be used to record and master entire bands or mutliple instruments, with multiple tracks.</p>
<p>I have been recording digitally since 1997 and I have been with one brand ever since. The software used to be called Cool Edit Pro once owned by the Syntrillium Corp, but later on it was bought by Adobe and thus, today&#8217;s Adobe Audition. This works well, whether for simple recording for commercials which may take not more than 5 tracks, and can be as flexible as 64 track mixing.</p>
<p>I would have recommended free software for beginners, if only I knew any, but I don&#8217;t and even if I did, I probably wouldn&#8217;t recommend them if I had no working knowledge of the software. But most software is really easy to learn, it just takes a little messing around with and practice.</p>
<p>After recording and mastering the file, Adobe Audition gives me the option to save the file into wav, mp3 or a lot more. It depends really on what you want to use the file for. WAV files are ideal for mastering into CD and mp3&#8217;s are what I usually upload on websites.</p>
<p>So basically, that is what you need to get into <strong>voice recording</strong>.
</p>
<a href="http://www.myradiosnack.com/tag/voice-recording/" rel="tag">voice recording</a>]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/voice-recording/voice-recording-today/feed/</wfw:commentRSS>
		</item>
		<item>
		<title>Writing a Successful Radio Commercial</title>
		<link>http://www.myradiosnack.com/radio-commercial-production/writing-a-successful-radio-commercial/</link>
		<comments>http://www.myradiosnack.com/radio-commercial-production/writing-a-successful-radio-commercial/#comments</comments>
		<pubDate>Tue, 27 Nov 2007 08:56:15 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Radio Commercial Production</dc:subject><dc:subject>radio commercial production</dc:subject><dc:subject>Writing a Successful Radio Commercial</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/radio-commercial-production/writing-a-successful-radio-commercial-23/</guid>
		<description><![CDATA[Writing a Successful Radio Commercial
By Scott Perreault
When you enter the copy department of a radio station you see stress and creativity intersecting to form a radio commercial. This is an art form that is developed over time. When I was nineteen, there was an opening in the copy department of the regions number one station. [...]]]></description>
			<content:encoded><![CDATA[<p><strong><font class="art_title" /></strong><strong><font class="art_title">Writing a Successful Radio Commercial</font></strong><br />
<font class="copyright">By <a href="http://ezinearticles.com/?expert=Scott_Perreault">Scott Perreault</a></font></p>
<p>When you enter the copy department of a radio station you see stress and creativity intersecting to form a radio commercial. This is an art form that is developed over time. When I was nineteen, there was an opening in the copy department of the regions number one station. The commercial load was heavy. It goes without saying, the station with the most ads is typically the favorite station. Advertisers need to reach the perspective consumers, and the best value for your advertising dollar is always with the most popular stations. The real test of the stations excellence is the copy department.</p>
<div id="body">Handing copy to your radio personalities and then saying a prayer that it “turns out” acceptable to the advertiser is sadly a common occurrence in many stations.</p>
<p>Here are a few tips to help your write an effective radio commercial. The bottom-line fact still remains, the more talented the copywriter, the better quality of the commercial.</p>
<p>First, know your voice talent. Writing a script for a “Italian accent” without having someone on your staff who can effectively perform such an accent, renders the commercial a failure. Second, keep it simple. Too many commercials lose the intent with long explanations. You need to give the listener credit that after hearing the commercial, they will catch on. Third, never look back. Keep the commercial forward thinking. Positive. Finally, the object of the commercial is to sell. Ask for the sale. The commercial was sold to an advertiser by a sales representative who had to ask for the sale. Most copy writers spend all their time being creative with ideas. The exceptional radio copywriters spend the bulk of their time being creative on how to ask for the sale.</div>
<div class="sig" id="sig">Scott Perreault (<a target="_new" id="link_76" href="http://www.scottradio.com/">http://www.scottradio.com</a>) is a commercial voice veteran with over twenty years of copywriting and voice work experience. From the writing, production and development of radio campaigns like the award winning “Oh Yeah©” campaign, Scott has experienced many facets of the voice business. Scott Radio offers free demo voice work. If you remember Promo code #98, the commercial is free.</p>
<div>Article Source: <a id="link_77" href="http://ezinearticles.com/?expert=Scott_Perreault">http://EzineArticles.com/?expert=Scott_Perreault</a></div>
</div>
<a href="http://www.myradiosnack.com/tag/radio-commercial-production/" rel="tag">radio commercial production</a>, <a href="http://www.myradiosnack.com/tag/writing-a-successful-radio-commercial/" rel="tag">Writing a Successful Radio Commercial</a>]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/radio-commercial-production/writing-a-successful-radio-commercial/feed/</wfw:commentRSS>
		</item>
		<item>
		<title>Rushed Radio Commercials and Rushed Creativity</title>
		<link>http://www.myradiosnack.com/radio-commercial/rushed-radio-commercials-and-rushed-creativity/</link>
		<comments>http://www.myradiosnack.com/radio-commercial/rushed-radio-commercials-and-rushed-creativity/#comments</comments>
		<pubDate>Tue, 04 Sep 2007 07:48:29 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Radio Commercial</dc:subject><dc:subject>radio ads</dc:subject><dc:subject>radio commercials</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/radio-commercial/rushed-radio-commercials-and-rushed-creativity-22/</guid>
		<description><![CDATA[I just got off the phone a few minutes ago&#8230; received a job request for a radio commercial which needs to be done immediately, needs to air as soon as possible as it is for an event that is happening this Saturday. That makes it a bit easier, since event ads or dated ads are [...]]]></description>
			<content:encoded><![CDATA[<p>I just got off the phone a few minutes ago&#8230; received a job request for a radio commercial which needs to be done immediately, needs to air as soon as possible as it is for an event that is happening this Saturday. That makes it a bit easier, since event ads or dated ads are primarily about details such as what, when, where&#8230; the institutional ads are the ones which are really difficult to put together on a pressed schedule.</p>
<p>One of the most difficult things to do is get your head working against a certain deadline; it is quite difficult to be creative when creativity is coerced and pressure mounts as you want to deliver an ad that would would come out and sound just as good as one that had weeks of preparation and study.</p>
<p>So what happens when you are boxed into a corner and your deadline approaches?</p>
<p>I am not too sure of the answer yet, and it probably will not come to me while I blog, so I better just conclude and start working on that ad.
</p>
<a href="http://www.myradiosnack.com/tag/radio-ads/" rel="tag">radio ads</a>, <a href="http://www.myradiosnack.com/tag/radio-commercials/" rel="tag">radio commercials</a>]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/radio-commercial/rushed-radio-commercials-and-rushed-creativity/feed/</wfw:commentRSS>
		</item>
		<item>
		<title>How to Write an Effective Radio Commercial</title>
		<link>http://www.myradiosnack.com/radio-commercial-copy-writing-tips/how-to-write-an-effective-radio-commercial/</link>
		<comments>http://www.myradiosnack.com/radio-commercial-copy-writing-tips/how-to-write-an-effective-radio-commercial/#comments</comments>
		<pubDate>Wed, 08 Aug 2007 11:59:34 +0000</pubDate>
		<dc:creator>Roy Sencio</dc:creator>
		
	<dc:subject>Radio Commercial Copy Writing Tips</dc:subject><dc:subject>radio commercial copy writing tips</dc:subject><dc:subject>radio commercial tips</dc:subject><dc:subject>radio copywriting tips</dc:subject>
		<guid isPermaLink="false">http://www.myradiosnack.com/radio-commercial-copy-writing-tips/how-to-write-an-effective-radio-commercial-21/</guid>
		<description><![CDATA[This is actually an article that I found on www.associatedcontent.com. It hit the nail right on the ahead as far as local advertising is concerned.
I&#8217;d say it was quite timely for me to find this article because just a few days ago, I had someone ask me why they would hire a different supplier for [...]]]></description>
			<content:encoded><![CDATA[<p>This is actually an article that I found on <a href="http://www.associatedcontent.com" title="http://www.associatedcontent.com" target="_blank">www.associatedcontent.com</a>. It hit the nail right on the ahead as far as local advertising is concerned.<br />
I&#8217;d say it was quite timely for me to find this article because just a few days ago, I had someone ask me why they would hire a different supplier for their radio ads, when they can usually get their radio commercial for a local placement, produced by the radio station they plan to advertise with.</p>
<p>That was a good question that I really wanted to address, and the answer lies in &#8220;who&#8221; produces that ad, who writes it, who voices it?</p>
<p>I mean sure, it is a radio station, they got voice talents there, but who writes the copy? Who decides that sort of ad is the best way to advertise your product. Anyways, there are several questions that need answering but before we proceed, I hope you enjoy the article below. By the way, in between the paragraphs I have made some comments, which you can play by simply playing the blue play button beside the link. Like this one&#8230; <a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-A.mp3">Comment 1</a></p>
<h1 class="headline_black">How to Write an Effective Radio Commercial</h1>
<p><strong><span class="sub_black">Local Radio Sales Reps Aren&#8217;t Much Help </span></strong></p>
<p><a class="link_orange" href="http://www.associatedcontent.com/user/10005/colin_campbell.html">By Colin Campbell</a></p>
<p>If you are a local radio advertiser and you depend on a radio station sales rep to create your radio copy and ad campaigns, you are most likely getting ineffective results from your advertising dollar.</p>
<p>I have been involved in local radio advertising for nearly 30 years, or all of my adult life. There is a constant in the radio sales area and that is that a radio salesperson is really more concerned about his or her next order than getting you effective results from yours. Most of the time a salesperson has no real experience in writing effective copy. Most of them dislike the task and consider it a chore. You might be surprised to know that most radio properties don&#8217;t feel the need to have a full time copy writer on staff. So it is up to the sales rep to put something together for you. They&#8217;ll sit down and start writing until they&#8217;ve come up with the requisite number of words but with no real concept. The copy tends to be full of superlatives like &#8220;for the best in…&#8221; and &#8220;for all your (insert product here) needs….&#8221; Other favorites are… &#8220;the best service at the lowest price with the most knowledgeable sales people.&#8221; What are they really saying? The truth is, almost nothing.<br />
<a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-B.mp3">Comment 2</a></p>
<p>For many years I was in the position of trying to help these people help their clients by coming up with more effective copy. I was a radio Production Director. During that time, I developed somewhat of a formula for an effective radio ad. One of the <a title="battles" class="link" href="http://www.associatedcontent.com/theme/376/battles.html">battles</a> you face is the ignorance of the average local advertiser. They want to fill their spots with a laundry list of what we call in the biz… &#8220;price and item.&#8221; Any good advertising expert will tell you that laundry lists don&#8217;t work. At best the listener will hear only the first and last item on the list, and they won&#8217;t retain it. Another waste of air time is phone numbers. Most local advertisers are so conditioned by print advertising that they think radio works the same way. It doesn&#8217;t&#8230; They try arcane methods like &#8220;radio coupons&#8221; to try and track the effectiveness of the campaign. &#8220;Radio coupons&#8221; simply don&#8217;t work. What these business owners fail to realize is that radio is all about &#8220;impressions&#8221; and &#8220;saturation.&#8221;<br />
<a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-C.mp3">Comment 3</a></p>
<p>A good radio ad delivers a simple repetitive message. As much as radio people would like to believe that listeners are hanging on every word, they&#8217;re not. It&#8217;s is a message in the background, almost subliminal. The message has to be strong and simple. If you listen to national radio advertisers and how they do it, you&#8217;ll start to pick up on this concept. The best example I can give you of this is a radio ad Sears ran many years ago for Die Hard batteries. It was simply the sound of a car attempting to start. The starter would crank but no ignition. With each successive try the starter would crank for a shorter period of time until finally all you heard was a click. Then an announcer said simply… &#8220;Die Hard batteries, available at Sears.&#8221; This is the kind of radio ad that works. It&#8217;s relatable and it&#8217;s simple.</p>
<p>So, for local advertisers, I would come up with a concept. I would develop the concept in the first thirty seconds of a sixty second spot and then to appease the print ad minded advertiser, give him twenty seconds of details. Then for the last ten seconds of the ad, I would reprise back to the concept. This way I had a chance to make an effective ad and still give the advertiser his say.<br />
<a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-D.mp3">Comment 4</a></p>
<p>With phone numbers in radio spots, they simply don&#8217;t work unless the whole focus of the spot is the phone number. For instance, a local Pizza chain a few years back put in a single number to call for all their locations to order Pizza for any location around the city. Naturally they wanted to promote this phone number. So, they had a jingle produced that simply said… &#8220;Call 895-1111, 895-1111, Call 895-1111 for Pizza Hut delivery.&#8221; That is all it said, over and over to a musical melody. Of course this was widely successful. A simple repetitive message and the catchiness of a jingle so it gets &#8220;stuck in your head.&#8221; Just an announcer repeating the phone number three times at the end of a laundry list simply doesn&#8217;t work.<br />
<a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-E.mp3">Comment 5 </a></p>
<p>Another good tip is when you give an address for a business&#8230; instead of just saying &#8220;at 333 Third Street,&#8221; you can say something like &#8220;at Third and Main across from City Hall.&#8221; It&#8217;s all about landmarks. Give them a point of reference.</p>
<p>In some ways, radio advertising should be handled much like Internet pay-per-click keyword advertising. Instead of broad terms about a broad range of products, pick one product to promote at a time. Get them in the store with a good deal whether they buy or not. Create &#8220;foot traffic.&#8221; It leads to sales.<br />
Another common spot template that is ineffective is what we call in the industry a &#8220;hey honey I&#8217;m home spot&#8221; or &#8220;dialogue spot.&#8221; This is where there is an inane conversation going on between two bad actors that are talking in ways that no one does. Very stilted and filled with phone numbers and details. At best you will get attention with these spots only due to how bad they are as people laugh at your business.</p>
<p>In radio, it is important to use sound. Sound is the medium. You can use effective sound effects as in the Sears Die Hard spot or you can use &#8220;dry&#8221; text to stand out among all the noise. Just make the dry text slow, deliberate and powerful, and with a very simple message. I remember one many years ago like this for an acne product that said in a deep voice with no music or other sound… &#8220;a few more cents, a few less zits.&#8221; Very powerful.</p>
<p>I hope I&#8217;ve given you some insight into the subject of being creative with you radio spots. Look around you, notice what gets people excited about your product and find a simple message to get you noticed and then keep repeating it over an over. Be consistent.</p>
<p><a href="http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-F.mp3">Comment 6</a></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p>Thank you for reading, I hope you found this article helpful.
</p>
<a href="http://www.myradiosnack.com/tag/radio-commercial-copy-writing-tips/" rel="tag">radio commercial copy writing tips</a>, <a href="http://www.myradiosnack.com/tag/radio-commercial-tips/" rel="tag">radio commercial tips</a>, <a href="http://www.myradiosnack.com/tag/radio-copywriting-tips/" rel="tag">radio copywriting tips</a>]]></content:encoded>
			<wfw:commentRSS>http://www.myradiosnack.com/radio-commercial-copy-writing-tips/how-to-write-an-effective-radio-commercial/feed/</wfw:commentRSS>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-A.mp3' length='399569' type='audio/mpeg'/>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-B.mp3' length='1976947' type='audio/mpeg'/>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-C.mp3' length='2556656' type='audio/mpeg'/>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-D.mp3' length='834664' type='audio/mpeg'/>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-E.mp3' length='566335' type='audio/mpeg'/>
<enclosure url='http://www.myradiosnack.com/audio/PC-1-8-08-07/PC-1-8-08-07-F.mp3' length='279615' type='audio/mpeg'/>
		</item>
	</channel>
</rss>
